Electronic Products for 1926 to 1928

1926 saw the introduction of the Symphony range of receivers, which featured simpler tuning, fewer controls, and a neater appearance, with no external valves, coils, or resistors. The product range also included the first A.J.S. superhets, which were produced so that the company could compete with the fierce competition. The receivers included cheap T.R.F. models with simple tuning, and more expensive superhets that gave a much better performance.

The days of headphone reception were over as all of the receivers came with loudspeakers. The more sensitive ones also came with frame aerials so that an outdoor aerial was no longer a necessity. The receivers were housed in either table top cabinets or free standing bureau models. There was also a portable T.R.F. receiver that had a built-in loudspeaker and frame aerial. This range of receivers continued in production until 1928, when radio production ceased.


The 'Symphony Two', and 'Symphony Three' table-top receiver. The cabinet was made of mahogany. Photo courtesy of John Chapman.
The 'Symphony  Two' was a 2 valve T.R.F. receiver, that was housed in a mahogany table-top cabinet. It sold for £17.10s.0d. The price included a 'Junior' horn loudspeaker and batteries. 

The 'Symphony  Three' was a 3 valve T.R.F. receiver, that was also housed in a mahogany table-top cabinet. It sold for £25, and included a 'Standard' horn loudspeaker and batteries. In both models the batteries were housed inside the cabinet, behind the  doors.

The 'Symphony Five' was a 5 valve superhet and was available in either a table-top or bureau style cabinet. The receiver came complete with a 'Standard' horn loudspeaker and batteries. The table-top model sold for £45, and the bureau model was £52.10s.0d.

The 'Symphony Seven' was a 7 valve superhet and was available in either a table-top or bureau style cabinet. The receiver came complete with a 'Standard' horn loudspeaker, 2 frame aerials and batteries. The table-top model sold for £60, and the bureau model was £67.10s.0d.

The bureau cabinet included a battery compartment below the receiver. The batteries were accessible behind the two doors on the front.


The Symphony 5 bureau receiver. The cabinet was made of mahogany. Photo courtesy of John Chapman.
The 'Symphony Five' table model.

Photo courtesy of John Chapman.

The frame aerials were also available separately, and were made in two versions. One was for  long wave and the other was for medium wave. Each version sold for £2.10s.0d.

The last model was the 'Symphony Five' portable model. This was a 5 valve T.R.F. receiver that was housed in a small oak cabinet with a carrying handle. The cabinet also housed a moving iron loudspeaker, frame aerial and batteries.

There was a single tuning control, a long wave / medium wave, waveband switch, and a volume control. The receiver weighed 26.5lbs, and sold for £22.10s.0d.


The 'Symphony Seven' with frame aerial. Photo courtesy of John Chapman.
The A.J.S. 'Standard' loudspeaker from the Symphony catalogue. It was available with Oak or Mahogany wood flares and sold for £4.15s.0d.

Photo courtesy of John Chapman.

A.J.S. also produced two models of reed type loudspeakers with a card cone.

They were the enclosed model in an attractive wooden case, which sold for £3.10s.0d., and the open model which sold for £1.15s.0d.

A.J.S. Symphony 'Cone Reproducers'. Courtesy of Joris Van Campenhout.

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